Fracchia is desperate: he has to sell a house with at least five bathrooms within three days or his boss will fire him. Incredibly, he and his pal Filini manage to find the perfect house, a castle in Transylvania owned by some count Vlad... things get even worse when they meet the Count and his sister, who has a crush on Fracchia and decides to marry him!

The rise of the extreme right in Brazil from the perspective of artists whose works were censored.

About the researcher Wilhelm Reich, who wanted to prove and compare life-energies in global experiments and searched for basic principles of life. His transformation from the model student Freud to the questionable UFO researcher is also addressed.

Behind the scenes of a scuffed gay porn shoot.

A generous and lyrical continuation of Lebanese artist Marwa Arsanios’ interest in the ties between ecology, feminism, and collective organization, this documentary showcases the radical politics of a Lebanese farming cooperative and the citizens of Jinwar, a women-only village in the north of Syria.

Marwa Arsanios’s new film examines the structures of self-governance and knowledge production fostered by the Kurdish autonomous women’s movement. She asks: what kinds of democracies are enabled without a state, and what kind of ecology is produced under the conditions of war? A propositional portrait of guerrilla ethics, Who is afraid of ideology? Part I disassembles the traditional documentary format, not only to show the contradictions inherent in such a portrayal, but also to doubt the regime of transparency.

A rebellious student sparks a transformative journey for a traditional Chinese teacher. Confronted by Xiaohua, a defiant pupil in his writing class, Teacher Ma's conventional methods are challenged. On the verge of conflict, they discover unexpected common ground, catalyzing a profound change in their lives and the constrictive educational system. As the academic year draws to a close, a blossoming of creativity and understanding unfolds, heralding the rebirth of a teacher.

In this video, the Albanian artist presents an unusual situation by focusing on a static plane, as spiders build their webs over a stoplight, without fearing the tension that the latter create.

Inspired by these intense exhanges and images partially filmed in the South of Tolima in Columbia. The final film of the trilogy focuses on the current systemic war led by transnational firms against the tiniest and most essential aspect of life: seeds.

A prospective wish is announced at the very beginning: "Imagine a land without ownership". Ownership? Since when? How? Where? With which implications? This is what Marwa Arsanios endeavours to discover in the fourth part of her meticulous ongoing project whose generic title is Who Is Afraid of Ideology? After documenting feminist experiments of community autonomy in Lebanon, Kurdistan and Syria (Who Is Afraid of Ideology? I&II, FID 2019), Marwa Arsanios ventures a hypothesis in the form of speculative fiction, from a remote piece of land in Lebanon, a cut in a stone quarry. In this small piece of land, a few sidekicks make that postulate, and slowly share stories of domination and exploitation. This land has a complicated administrative, legal, geological and biological history. (Nicolas Feodoroff - FIDMarseille)

Shortly before the premiere of the play, quarantine is announced and four actors: Chiara, Giorgio, Antonio and Valentino find themselves in isolation. In moments of despair, when they return to the mistakes of the past and test the strength of relationships, they may feel that madness is the only way out.

A 6 year-old girl is transfixed by the Little Red Riding Hood story, which her mother dutifully recounts every night. The tale’s themes of identity confusion and betrayal mirror her own story - who her real mother is and a potential love triangle implicating both her parents.

Spain, occupied by the French. Zorro, the intrepid swordsman, has an accident. As a result, his friend, Father Donato, is forced by oath to find a temporary replacement for him.

Based on a fairy tale by the Brothers Grimm: Jakob is a poor farmer′s boy. Because of his timidity that even makes him run away from mice, he is often ridiculed by other people. Even the king is ill-disposed towards him. One day he sends Jakob to the devil to rob him of three golden hairs. This is supposed to be Jakob′s certain death. But naïve Jakob gets going and on his way even promises the oppressed subjects of the king to ask the devil for a way out of their misery.

The Chinese company Huawei wants to expand 5G worldwide and is well advanced in the development of the technology. With the help of 5G, entire communities can function wirelessly, self-driving cars become possible and advanced medical care can be performed remotely in real time. However, many are worried that Huawei is incorporating backdoors that allow vast amounts of data to be collected and then used by China for espionage.

Two young men in search of adventure meet Iracema, a bride who's been left waiting at the church. They give her a ride on their jeep, until they find the most strange family: a couple with seven girls and a son. According to popular tradition, a man born after seven girls is bound to become a werewolf.

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Two homeless people, one blind and the other disabled travel the city streets with a supermarket trolley on an endless journey.